At this awards event, RFID (Radio Frequency Identification) technology was used to identify visitors on the two ‘networking pods’ during the evening’s proceedings. The tags use radio signals to send their identity to antenna receivers. Projections then highlight guests’ key professional characteristics.

The interactive projections displayed the projects of nearby shortlisted visitors.  As they moved closer to the centre of the ‘pod’, their name rose higher on the list.  Once a visitor was determined to be closest to the centre of the pod their project details and credentials appeared on the panoramic projection screens.

The Awards were the first event that combined this technology to create a uniquely ‘connected’ environment.  The underlying system is a continuing work-in-progress that Cinimod seek to further develop for future art installations and events.  The tracking badges themselves already incorporate accelerometer sensors which can be used to gain further interesting insight into the user’s behaviour.

Cinimod Studio collaborated with Audialsense to create a unique interactive sound to complement the visual projections.  With a series of loudspeakers located around the site, special antenna receivers identified the eventual winners as they moved through the space. These ‘special’ guests then ‘distorted’ the background beats to give everyone else at the awards event audio clues as to the winners’ identities – even before they themselves knew who had won.

Project credits:

RFID interactive video projection system: Cinimod Studio

Lighting Design: Cinimod Studio

Interactive Audio System: Audialsense

Bespoke RFID electronics design and production:  White Wing Logic

Related:

This RFID projection system represents the second time that Cinimod Studio has created a unique interactive system for the Restaurant And Bar Design Awards – the first was the striking Exploded Globe over Hoxton Square in 2008.

Cinimod Studio have successfully completed their commission by New York artist Peter Coffin for the technical design, build and delivery of a UFO to be used in Coffin’s unique high-altitude public art performance.

This is the second time the UFO has made a public appearance. It first appeared over the city of Gdansk, Poland, in July 2008. Since then it has been significantly upgraded, and for Rio it featured an additional 150kg of bespoke lighting equipment to create an even greater visual impact.

The night time flight over Rio De Janeiro had been extensively publicised in advance, and an estimated 500,000 spectators assembled on the five beaches of Rio to witness the UFO. As the UFO approached, the gathered masses rushed towards the water, screaming and shouting with excitement, amidst a wave of sparkling flash photography.

The overall UFO structure is 7 metres in diameter and manufactured of aluminium for lightness. A massive array of bright and individually controllable Color Kinetics LED nodes have been placed across the structure and are controlled via a Pharos LPX solid state computer. A network of bespoke ‘beacon’ lights, developed for this project by Cinimod Studio and White Wing Logic, encompass the perimeter of the UFO and are responsible for the orbiting sparkle of light around the main UFO structure.

An on board 6 kw generator provides the system power, and the overall UFO can be remotely controlled via SMS messaging. The UFO is flown through the sky, suspended under a helicopter 20 metres above — however, the helicopter itself is never visible during the flight, further adding to the mystique of the UFO.

Ten days of preparation on-site in Rio were undertaken by a Cinimod Studio team of three, comprised of director Dominic Harris, Nick Cheung, and Mike Harrison (of White Wing Logic). Operating from a top secret airport hangar they directed a local team of 15 people on the assembly, pre-flight preparation, and coordination required for the successful UFO flight.

Cinimod Studio already has a reputation for creating innovative lighting and structural designs, but with the UFO project design director Dominic Harris has taken lighting design to new heights. Harris says “we have pushed the envelope on the UFO, and it has required a remarkable fusion of technologies and design disciplines in order to make this happen.”

On the collaborative process Harris says “working with Peter Coffin has been a rewarding experience — his artistic vision for the project has remained clear and ambitious from the start, and he has pushed us to achieve it. The result is a fantastic collaboration between art and technology.”

Additional Video Links On-line:

BBC News,  ITN,  Video Globo (First preview feature), Video Globo (Includes aerial footage from chase copters), RJTV (preview feature before flight), RJTV (Later preview), MSN Video, NECN, EBRU

Project Credits, Sponsors and Organisers

Commissioned and produced by Open Art Projects: A non-profit foundation devoted to contemporary art which produces projects, materialises artistic concepts, organises exhibitions, and pursues publishing activities. www.openartprojects.org

Curator: Kasia Redzisz

Electrical Engineering by White Wing Logic.  www.whitewing.co.uk

Local production by Vianapole. www.vianapole.com.br

Support from the Secretary of Culture of the State Of Rio de Janeiro.

Project Sponsor: Oi (Brazilian phone network). www.novaoi.com.br

Official website (in Portuguese) for the project: www.discovoador.art.br

‘Beacon’ is a kinetic light installation with a mind of its own. An array of emergency beacon lights interacts with visitors, tracking their movement through the space, creating an immersive and playful experience.

The installation exploits a transfer of technologies from existing industrial products. The beacon lights have had their internal parts replaced with custom hardware, enabling the rotation of the reflector and lamp brightness to be individually controlled. Thermal imaging cameras have been adapted to track the participants’ movement through the space.

‘Beacon’ is orchestrated in real-time by a bespoke control system, which uses tracking information from the cameras to coordinate an interactive and highly responsive behavior.

Credits:

Concept, Design and Production:  Cinimod Studio and Chris O’Shea

Electrical Engineering:  White Wing Logic.  Thermal Imaging: Thermitrack.

One of Cinimod’s LED “bricks” was placed on each table, and contained the bespoke electronics, wireless DMX receiver, battery pack, 8 bright full-colour LEDs and a diffusing glass lens.   The integral battery pack supplies approximately 12 hours of light at full power.   Each light pack has a unique control address so that colour effects can be “played” across entire room of tables.

The above short video clip demonstrates the impressive lighting effects that can be easily created and controlled in real-time via either our own software solution running off a laptop, or by direct patching into a DMX lighting control desk.

Example of the table light colours being coordinated with the main lighting design on the set of this awards ceremony.

Availability:  Cinimod Studio currently hold a stock of 100 units that are available for rental.  For all enquiries please contact the studio.

From each weighted base there are 7 lantern stems, each with their own battery-powered LED white paper lantern.   Elegant flower arrangements can be created using the test tubes magnetically fixed to the stems.

Availability:  Cinimod Studio currently have a quantity available for either rental or purchase, with larger quantities made to order.   For all enquiries please contact the studio.

The artwork was inspired by the Restaurant and Bar Design Awards belief that “design excellence is up to you”, and using cutting edge technologies, the innovative lighting installation was brought to life by the collaborative interaction of the guests who used special punch cards to choreograph their own colour animations. These cards were ’scanned’ at a freestanding plinth located in one corner of the square, from where their colours were uploaded to the main globe to form the overall animated lighting display.

The launch event was attended by some of the top influential designers and industry press, as well as many curious members of the public. The installation was well received, and provided a delightful and engaging addition to the square. The artwork acted as a beacon of good design — key to the underlying message of the Restaurant and Bar Design Awards.

The Globe was constructed with a structural aluminium core and ribs, to which panels of Foamalux were fixed. An array of individually addressable Martin Professional LED fixtures provided the full colour illumination to the globe, and created the unique dappled light projections across Hoxton Square. A bespoke software programme, coded by Cinimod Studio in VVVV, controlled the overall installation.

For more information see the Restaurant & Bar Design Awards site.

For more information about the more recent 2009 Rio De Janeiro flight click here.

(video: Cinimod Studio)

(photo: Peter Turo)

The UFO flew in along the coast from the nearby town of Sopot, and then circled the centre of Gdansk. The UFO made its startling and surprising appearance soon after sunset. It appeared to be covered in lights displaying a series of geometric colour patterns. ”

(photo: Peter Turo)

“Untitled (UFO)” is an art project conceived by established New York artist Peter Coffin.  Cinimod Studio was hired to realise the project, and produced an innovative structural, technical and electrical design and oversaw the fabrication and assembly.  The UFO made its inaugural public appearance on 4th July 2008 as a part of the Festival of Stars in Gdansk, Poland.

(photo: Dominic Harris)

Cinimod Studio already has a reputation for creating innovative lighting and structural designs, but with the UFO project design director Dominic Harris has quite literally pushed the envelope and taken lighting design to new heights. The photos and video links published here are record photograph of the preparation and the flights, and have not been modified beyond basic colour and exposure corrections.

(photos: Dominic Harris)

To realise the UFO, Cinimod Studio worked closely with a multitude of specialist suppliers, and monitored the progress via regular workshop visits. A “transfer of technologies” saw electronic and mechanical designs developed for a standard application re-appropriated and modified for integration within the UFO project.

(photo: Michal Szlaga)

The overall UFO structure is 7 metres in diameter and manufactured of aluminium for lightness. 3000 bright and individually controllable Color Kinetics LED nodes have been arrayed across the structure and are controlled via a solid state computer. An on board 6 kw generator provides the system power, and the overall UFO can be remotely controlled via SMS messaging.

Credits

Artist Peter Coffin has created a truly phenomenal artwork which due to the scale, complexity and sheer audacity of the project, would not have been possible without the support of a number of key sponsors and suppliers. Primary sponsorship came from Warsaw’s Open Art Project and New York’s Art Production Fund. The LED lighting was sponsored by Color Kinetics / Philips.

The overall physical and lighting design and coordination was by Cinimod Studio, with Mike Harrison of White Wing Logic providing the electrical systems design and on-site electrical engineering. A special thank you is also extended to LiteStructures, Architainment, Pharos Controls, Harrington Generators, the Gdansk Shipyard, the festival organisers, and the pilots responsible for the safe take-off and landing of the UFO!

Lighting will always play a major part within the design, and where suitable interactive and responsive control systems will be incorporated to provide an added level of guest participation.

On these large live events, Cinimod Studio will work closely with the main production team, and will typically deliver a concept document including visualizations and coordinated lighting/technical plans and specifications.  Project management is offered, including procurement,  on-site supervision of all lighting/technology rigging and content/programming.

During the lighting design development, extensive use was made of computer renderings in order to model the lighting effects and present an overview of the scheme progress (in the images below the visualisation is on the left, and the real photograph to the right).   Cinimod Studio was responsible for the overall lighting development, specification and light plots.

Working directly with the client, Cinimod Studio prepared a tightly edited film sequence for projection, forming a colour rich ambient collage of imagery.  Other major elements included a canopy of incandescent lightbulbs suspended over a high gloss red floor, and the dramatic lighting of certain steel work elements found within the space.

Using a carefully selected palette of theatrical fixtures in a variety of light colours and beam angles, the architectural features of the venue were highlighted creating a coordinated backdrop to the party.